Thursday, December 31, 2009
Wednesday, December 30, 2009
WELCOME TO FIST PUNCH NATION!
MTV struck gold with their latest venture into the Jersey Shore. No more Making The Bands and other reality talent shows. This is going back to the basics with alcohol, fights and insanity. What more can you ask for from your stupid box?
Sunday, December 27, 2009
E.N. PRESENTS "WE GOT NEXT TOUR NYC" JANUARY 23rd
Friday, December 25, 2009
THE RETURN OF THE SPACE JAMS
So far two different Foot-Lockers in Atlanta were robbed for these kicks. I am sure there is more drama to come. These are not my favorite Jordan's thus far. The quality of the material was cheapened a little. After a couple of wear's look for the cracks in the patent leather and sole. Design is great and the box/packaging is very innovative. Proceed with caution when purchasing.
Sunday, December 20, 2009
Thursday, December 17, 2009
Wednesday, December 16, 2009
Sunday, December 13, 2009
EN GOES TO BRASIL
HISTORY OF BRASIL:
When arriving in April 1500 in the coast of what would later be known as Brazil, the Portuguese fleet commanded by Pedro Álvares Cabral found the primitive people who inhabited it.[25][26] They were divided in several distinct tribes, that fought among themselves[27] and that shared the same Tupi-Guarani linguistic family.[25] The "men were hunters, fishers and food collectors and the women were encharged of the reduced agricultural activity that was practiced."[25] Some of the tribes were nomads and other sedentary; they knew the fire but not metal casting and a few were cannibals.[25] The settling was effectively initiated in 1534, when King Dom João III divided the Brazilian territory in twelve hereditary captaincies that would be governed by members of the lesser nobility or proceeding from educated families.[28][29] The experience revealed itself to be an utter disaster, and in 1549 the king assigned a governor-general to administrate the entire colony.[29][30]
Around 1530, the Tupiniquim (the same tribe that Cabral met)[31] and their bitter enemies the Tupinambá, the largest and most important tribes in Brazil, allied themselves with the Portuguese and the French, respectively.[27] Between the Portuguese and the Tupiniquim "occurred a certain intermittently pacific inter-racial assimilation."[32] While the Tupinambás, however, were mostly exterminated in long wars and mainly by European diseases to which they had no immunities.[33][34] The ones that survived were enslaved by other tribes or by the Portuguese or fled toward the countryside.[33][35] By the middle of the 16th century, sugar had become the most important item of the Brazilian exportations.[27][36] Thus, the Portuguese turned to other forms of man power to handle with the increasing international demand.[33][37] Enslaved Africans were imported and became the "basic pillar of the economy" in the most populous areas of the colony.Wednesday, December 9, 2009
Friday, December 4, 2009
Monday, November 30, 2009
EBONY MAGAZINE (NOV 2009) WRITE UP!
Harlem Renaissance Graphic Tee
Design: Cotton Club Tee
- Image showcasing the Cotton Club in the roaring 1920's, printed with a soft touch ink
- Cotton Club lettering is printed in a gloss ink making the letters pop off the tee shirt
- Ultra soft 100% cotton jersey
- Machine washable
- Signature epaulet. Lower right corner
- Color: Marine Navy
Sunday, November 29, 2009
Wednesday, November 11, 2009
Amazing artworks by artist KRIS KUKSI
Born March 2, 1973, in Springfield Missouri and growing up in neighboring Kansas, Kris spent his youth in rural seclusion and isolation along with a blue-collar, working mother, two much-older brothers and an absent father. Open country, sparse trees, and alcoholic stepfather, perhaps paved the way for an individual saturated in imagination and introversion. His fascination with the unusual lent to his macabre art later in life. The grotesque to him, as it seemed, was beautiful. Reaching adulthood his art blossomed and created a breakthrough of personal freedom from the negative environment experienced during his youth. He soon discovered his distaste for the typical American life and pop culture, feeling that he has always belonged to the ‘Old World’. Yet, Kris’ work is about a new wilderness, refined and elevated, visualized as a cultivation emerging from the corrupt and demoralized fall of modern-day society. A place were new beginnings, new wars, new philosophies, and new endings exist.